In this one-hour performance, the artist covered herself in tubes of red lipstick while Johnny Mathis’s “Go Away Little Girl” played on repeat. Fifty tubes and a single bottle of bright crimson nail polish served as her tools. What began with the careful act of painting her nails quickly unraveled into something raw and consuming—each gesture escalating until her skin, hair, and even teeth were coated in layers of red. The installation that remains holds the residue of that transformation: an archive of beauty, repetition, and erasure.

The installation, post-performance.