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  <url>
    <loc>https://ameliavolwilerstanley.com/youcanrun</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-12</lastmod>
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      <image:title>You Can Run, 2016 - Diana Prince's Pantsuit</image:title>
      <image:caption>Handmade silk pants (laser cut with double-headed gavel emblem), blue silk laser cut-outs (gavel), ribbon, vintage eyewear, wire clothes hanger, sprinting shoes with spikes.</image:caption>
    </image:image>
    <image:image>
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      <image:title>You Can Run, 2016 - Diana Prince's Pantsuit</image:title>
      <image:caption>Handmade silk pants (laser cut with double-headed gavel emblem), blue silk laser cut-outs (gavel), ribbon, vintage eyewear, wire clothes hanger, sprinting shoes with spikes.</image:caption>
    </image:image>
    <image:image>
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      <image:title>You Can Run, 2016</image:title>
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      <image:title>You Can Run, 2016 - Diana Prince's Pantsuit (detail)</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>You Can Run, 2016 - Diana Prince's Pantsuit</image:title>
      <image:caption>Handmade silk pants (laser cut with double-headed gavel emblem), blue silk laser cut-outs (gavel), ribbon, vintage eyewear, wire clothes hanger, sprinting shoes with spikes.</image:caption>
    </image:image>
    <image:image>
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      <image:title>You Can Run, 2016 - Diana Prince's Pantsuit (detail)</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1483207391148-Y524UEM4UZ3NF7U8X8CY/volwilerstanley_a_07.jpg</image:loc>
      <image:title>You Can Run, 2016</image:title>
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      <image:title>You Can Run, 2016</image:title>
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      <image:title>You Can Run, 2016 - Feel Free to Feel</image:title>
      <image:caption>Silk and polyester (laser-cut with the double-headed gavel emblem), acrylic spray paint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1483207410366-XXOZN31WQ8GLHN3JMUI0/ycr02+copy.jpg</image:loc>
      <image:title>You Can Run, 2016 - The Lonely Vigilante &amp; Hope</image:title>
      <image:caption />
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    <image:image>
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      <image:title>You Can Run, 2016 - The Lonely Vigilante</image:title>
      <image:caption />
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    <image:image>
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      <image:title>You Can Run, 2016 - The Lonely Vigilante (detail)</image:title>
      <image:caption />
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    <image:image>
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      <image:title>You Can Run, 2016 - Hope</image:title>
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    <image:image>
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      <image:title>You Can Run, 2016 - Hope (detail)</image:title>
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      <image:title>You Can Run, 2016</image:title>
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    <image:image>
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      <image:title>You Can Run, 2016</image:title>
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    <image:image>
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      <image:title>You Can Run, 2016</image:title>
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  <url>
    <loc>https://ameliavolwilerstanley.com/printstallation</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1506984098578-QWW3WP46LKWVGDKAY5SJ/iosprarisco01.jpg</image:loc>
      <image:title>Printstallation</image:title>
      <image:caption>In For Love I disappear / Per l’amore io sparisco, this installation of scroll-printed woodblocks is a diaristic memorial in a form reminiscent to wallpaper. The scrolls begin hanging flat at the top of the wall, then emerge undulating outward. In their spatial and frozen undulation, the scrolls are supported by a simple apparatus that mimics methods of drying freshly-printed wallpaper, also referencing the manner in which butterflies dry their wings after emergence from the chrysalis. The imagery printed on these scrolls are the wings of a butterfly and of a dragonfly, paying close attention to their physical and behavioral self-defense mechanisms. Both sets of appendages are perforated and burdened with repetitions of the knuckleduster symbol. In the case of the butterfly, the ocelli (or eyespots) found on the backside of a blue-morpho butterfly are patterned into the shape of the knuckleduster weapon. The dragonfly’s wings are repeatedly perforated with the knuckleduster finger-hole pattern, suggesting an inability to fly.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Printstallation</image:title>
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    <image:image>
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      <image:title>Printstallation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1615140033275-K47BX6VITB9I54V7QS7Y/joy09+copy.jpg</image:loc>
      <image:title>Printstallation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1615149209993-KUJSORUG5EB35L1J2B1K/forelsket_10+copy.jpg</image:loc>
      <image:title>Printstallation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1516753315027-2IAC0HCD01K0EQIA7C7R/preybeasts02.jpg</image:loc>
      <image:title>Printstallation</image:title>
      <image:caption>The laser-cut woodblock printed representations of the "Prey- Beasts" are hybridizations of animal and human anatomy, brass knuckles, and gavels. These creatures resemble the visceral sense of fragility and the resilient will to fight in the face of trauma. The Prey-Beasts are overlaid with repeating silkscreened text of diaristic poetry which in many instances appears to be disintegrating. The immersive installations constructed from the repetitive printed draperies create an interplay of reveal and conceal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1509335084158-GL3JNLQKTLXXGMDKJ2V1/volwiler_stanley01.jpg</image:loc>
      <image:title>Printstallation</image:title>
      <image:caption>In this evolving print installation, a rusted steel relief plate—shaped like a rudimentary wing—was pressed over 150 times to form an unbound book of monoprints. Its most recent iteration was exhibited at the Gerald R. Ford Presidential Museum during ArtPrize 2017 in Grand Rapids, Michigan. Although not originally conceived for this site, the work’s intent resonates with the museum’s own mission: to serve as both memorial and record of a weighty moment in time. The wing’s form echoes familiar depictions of angelic figures, yet it does not belong to one. Instead, it belongs to a person burdened with something undeserved. Through repetition, the dense, rusted weight of a single wing disperses across more than 150 impressions—transforming heaviness into multiplicity, and creating a vast, cumulative book of wings that evokes both endurance and release</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://ameliavolwilerstanley.com/flowers</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1483209403204-BXY75L4263DT2GOEQEPO/bouquet07.jpg</image:loc>
      <image:title>Anonymous Bouquets, 2016/15 - Wishbone</image:title>
      <image:caption>Aluminum; lost-wax casting process. Live decaying flowers were coated in beeswax and arranged into each bouquet casting.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1483209403204-BXY75L4263DT2GOEQEPO/bouquet07.jpg</image:loc>
      <image:title>Anonymous Bouquets, 2016/15 - Wishbone</image:title>
      <image:caption>Aluminum; lost-wax casting process. Live decaying flowers were coated in beeswax and arranged into each bouquet casting.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1483209479723-ASWREGRVAFJT0SBNG6OH/bouquet08.jpg</image:loc>
      <image:title>Anonymous Bouquets, 2016/15 - The Prison that Held Her</image:title>
      <image:caption>Cast aluminum of live flowers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1483209376772-S8IZSQ9K1U86KL9ICKQF/bouquet03.jpg</image:loc>
      <image:title>Anonymous Bouquets, 2016/15 - Wrestle</image:title>
      <image:caption>Cast aluminum of live flowers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1483239253800-YLILU6R55AWQA71BK2HR/bouquet10.jpg</image:loc>
      <image:title>Anonymous Bouquets, 2016/15 - Untethered</image:title>
      <image:caption>Cast aluminum of live flowers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1483208603033-FOKNIWJP7HHGGHBUA8GS/bouquet01.jpg</image:loc>
      <image:title>Anonymous Bouquets, 2016/15</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1483208372254-U3ET7NN4LS2HX818Z4TW/bouquet06.jpg</image:loc>
      <image:title>Anonymous Bouquets, 2016/15 - Tiptoe</image:title>
      <image:caption>Cast aluminum of live flowers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1483209334345-Z85S0B4Q9M7D0VVEKGHX/AnonymousBouquet04.JPG</image:loc>
      <image:title>Anonymous Bouquets, 2016/15 - With Love,</image:title>
      <image:caption>Cast aluminum of live flowers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1483209373541-PHZ5TA1Y86BJWSNLHMA7/bouquet01.jpg</image:loc>
      <image:title>Anonymous Bouquets, 2016/15 - Hogtied</image:title>
      <image:caption>Cast aluminum of live flowers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1483208202577-AJQ9MRJWYJFTR4CHMKFV/AnonymousBouquet04.JPG</image:loc>
      <image:title>Anonymous Bouquets, 2016/15</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1483209392241-IYFBUO4L2VWFIRJO1NDZ/bouquet04.jpg</image:loc>
      <image:title>Anonymous Bouquets, 2016/15 - Small Eruption</image:title>
      <image:caption>Cast aluminum of live flowers</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://ameliavolwilerstanley.com/girl</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-19</lastmod>
    <image:image>
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      <image:title>The Gingerbread Girl, 2016 - The Gingerbread Girl</image:title>
      <image:caption>The Gingerbread Girl Former Residence of 339 Franklin SW, Grand Rapids, MI (2016) Created for ArtPrize 2016 with SiTE:LAB, The Gingerbread Girl transformed an abandoned Rumsey Street home through architectural intervention. By removing plaster from four rooms, I exposed the fragile lattice of lath beneath—an interior skeleton resembling the ruled lines of a diary. Onto these “pages,” I inscribed private writings, revealing both the architecture’s hidden body and my own. The title nods to a novella by Stephen King, where a grieving woman discovers survival through running. Similarly, this work engages the tension between confinement and endurance: the repetition of wooden slats casting shadows that both imprison and steady, much like breath, stride, or heartbeat. What remains is a house laid bare, a site where grief, strength, and memory intersects. Its structure becoming both a journal and a cage, both a ruin and a testament to resilience.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Gingerbread Girl, 2016 - The Gingerbread Girl</image:title>
      <image:caption>The Gingerbread Girl Former Residence of 339 Franklin SW, Grand Rapids, MI (2016) Created for ArtPrize 2016 with SiTE:LAB, The Gingerbread Girl transformed an abandoned Rumsey Street home through architectural intervention. By removing plaster from four rooms, I exposed the fragile lattice of lath beneath—an interior skeleton resembling the ruled lines of a diary. Onto these “pages,” I inscribed private writings, revealing both the architecture’s hidden body and my own. The title nods to a novella by Stephen King, where a grieving woman discovers survival through running. Similarly, this work engages the tension between confinement and endurance: the repetition of wooden slats casting shadows that both imprison and steady, much like breath, stride, or heartbeat. What remains is a house laid bare, a site where grief, strength, and memory intersects. Its structure becoming both a journal and a cage, both a ruin and a testament to resilience.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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      <image:title>The Gingerbread Girl, 2016</image:title>
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  </url>
  <url>
    <loc>https://ameliavolwilerstanley.com/chew-spit-sweat-bleed</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2021-03-07</lastmod>
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    <lastmod>2022-09-22</lastmod>
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    <loc>https://ameliavolwilerstanley.com/new-gallery-5</loc>
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    <lastmod>2025-09-19</lastmod>
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      <image:caption>The artist covers self in three liters worth of her own sweat (dyed hot pink with fishing lure pigment), and "prints" her body onto athletic mesh fabric partition while strapped into a harness. The sweat was collected and harvested over a six week period of running three dozen 10-13 mile workouts wearing heavy clothing. The sweat was then squeezed out of the clothes into buckets, dyed pink, and put into squeeze bottles. The sweat was expended in less than 12 minutes for the duration of the performance.</image:caption>
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      <image:title>Pink Sweat (2013) - Pink Sweat</image:title>
      <image:caption>The artist covers self in three liters worth of her own sweat (dyed hot pink with fishing lure pigment), and "prints" her body onto athletic mesh fabric partition while strapped into a harness. The sweat was collected and harvested over a six week period of running three dozen 10-13 mile workouts wearing heavy clothing. The sweat was then squeezed out of the clothes into buckets, dyed pink, and put into squeeze bottles. The sweat was expended in less than 12 minutes for the duration of the performance.</image:caption>
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    <lastmod>2025-10-16</lastmod>
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      <image:title>Go Away Little Girl - Drawings (2015)</image:title>
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    <image:image>
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      <image:title>Go Away Little Girl - Drawings (2015)</image:title>
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    <image:image>
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      <image:title>Go Away Little Girl - Drawings (2015)</image:title>
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      <image:title>Go Away Little Girl - Drawings (2015)</image:title>
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      <image:title>Go Away Little Girl - Drawings (2015)</image:title>
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      <image:title>Go Away Little Girl - Drawings (2015)</image:title>
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      <image:title>Go Away Little Girl - Drawings (2015)</image:title>
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    <image:image>
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      <image:title>Go Away Little Girl - Drawings (2015)</image:title>
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      <image:title>Go Away Little Girl - Drawings (2015)</image:title>
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      <image:title>Go Away Little Girl - Drawings (2015)</image:title>
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      <image:title>Go Away Little Girl - Drawings (2015)</image:title>
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    <image:image>
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      <image:title>Go Away Little Girl - Drawings (2015)</image:title>
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    <image:image>
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      <image:title>Go Away Little Girl - Drawings (2015)</image:title>
    </image:image>
    <image:image>
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      <image:title>Go Away Little Girl - Drawings (2015)</image:title>
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  </url>
  <url>
    <loc>https://ameliavolwilerstanley.com/new-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1486960000450-EWQ3OXS9NZC2V2524QH6/burden_vigilante_install.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017</image:title>
      <image:caption>Installation view of Burden (background) and The Lone (Hyper)Vigilante</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1486960000450-EWQ3OXS9NZC2V2524QH6/burden_vigilante_install.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017</image:title>
      <image:caption>Installation view of Burden (background) and The Lone (Hyper)Vigilante</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1486959527331-8AZO8AYH6NK4UZK3FAGX/burden.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017 - Burden</image:title>
      <image:caption>This ongoing and ever-growing installation is comprised of a series of prints made from a rusted steel wing printed on paper. The steel wing was plasma cut to human-scale, then the corrosion process is accelerated for means to print. As more and more prints continue to capture some of the weight of the steel wing, the weight of the actual wing will dissipate, acting as a metaphor of a burden lifted. Theoretically, if the rusting steel wing is printed enough times, the wing will eventually disintegrate. The prints are hung unanchored, so that viewers can have a somewhat intimate interaction with the prints; simply by moving about the installation produces enough air movement to blow the prints around.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1486959533455-VAKM4NZP8P8EWIKXTEJT/burden_vigilante_install.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1486959803442-HXONDRY07L48ZXNKJ7WZ/burden001.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017 - Burden</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1486959815473-Y22JM79R7FSEDEYTESAV/burden02.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017 - Burden</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1486959942552-KF4P5PHSSHXRPEJ9J7ZP/burden003.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017 - Burden</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1486959996911-YTFSWI8A8IBPIO0DIBGD/burden004.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017 - Burden</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1487004020921-VOM28N1IZB07SSZ9YZXM/lonelyvigilante.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017 - The Lone (Hyper)vigilante</image:title>
      <image:caption>Laser-cut superheroine cape, laser-cut paper and plasma-cut steel double headed-gavel confetti</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1487004079837-4F7RTPNXKI2J42JDUWB2/lonelyvigilante001.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017 - The Lone (Hyper)vigilante</image:title>
      <image:caption>(detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1486962549966-ON7XEBJE5K25TNQ5LBWC/alltheshit001.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017 - The Things I Carried After You Left:</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1486962550591-8EQSYZ6WZV2OW0Z5WXUJ/alltheshit002.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017 - The Things I Carried After You Left: (detail)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1486964203924-NWS8ASHZL2AQ5K74VHLI/whatikeep001.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017 - What I Keep Next to My Bed When I Dream of You:</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1486965909698-LO7RR37KN1J58IFJ2T05/whatikeep002.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017 - What I Keep Next to My Bed When I Dream of You:</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1486965904513-MDGKC9J4W6J5ZYCZ762F/whatikeep003.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017 - What I Keep Next to My Bed When I Dream of You:</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1486962914747-INGBCZYY4BJGNRKR7T0F/alltheflowers001.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017 - All the flowers you never sent</image:title>
      <image:caption>Aluminum and bronze-cast bouquets (cast from living flowers)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1486961724440-OGA0WUQJSFA2RQK55SC1/alltheflowers002.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017 - All the flowers you never sent</image:title>
      <image:caption>One of the series of metal-cast bouquets, Tulipomania is cast bronze.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1486962088938-08VPNH6CDHZTFKAHRERZ/alltheflowers003.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017 - All the flowers you never sent</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1495996764471-MBQRHPPO80BMJR9LBNAL/Wings+of+Desire+in+Surplus+%282%29.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1495996792163-8X87OXTHASO7BYC5V836/Wings+of+Desire+in+Surplus+%289%29.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1495996995158-XEY7CW0YS2NSCU43LW3Q/Wings+of+Desire+in+Surplus+%2810%29.jpg</image:loc>
      <image:title>The Lonely Hypervigilante, 2017</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://ameliavolwilerstanley.com/the-aftermath-of-the-gingerbread-girl-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1507134389829-J11OLAZ81KOADQ0G5G12/DSC_0086.JPG</image:loc>
      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
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      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
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      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
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      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
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      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
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      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
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      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
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      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1507134439099-PGYY4MT8S5W2D2HSUYNZ/DSC_0109.JPG</image:loc>
      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
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      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
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      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1507134598942-4G9RWRHBVPAC1Q8IX29L/DSC_0145.JPG</image:loc>
      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1507134603165-2JHBSLQMWTCSPACJU6K9/DSC_0147.JPG</image:loc>
      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1507134644144-26ILDACVJKXOLHZYWEZ7/DSC_0149.JPG</image:loc>
      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1507134647878-L3JQZ1816BHSE1IC24P9/DSC_0150.JPG</image:loc>
      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1507134742913-Z3I5M5R04AFFXZYX2CVB/DSC_0161.JPG</image:loc>
      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1507134688247-B6QKT7RG71QVI2CDAB4Y/DSC_0156.JPG</image:loc>
      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1507134695176-QBMSPOO50I6QTHW0STB9/DSC_0157.JPG</image:loc>
      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
    <image:image>
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      <image:title>The aftermath of "The Gingerbread Girl" (2017)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://ameliavolwilerstanley.com/go-away-little-girl-2015</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1615149786397-TQ617GVV4SESQCOHDZFO/galg1+2.jpg</image:loc>
      <image:title>Go Away Little Girl (2015)</image:title>
      <image:caption>In this one-hour performance, the artist covered herself in tubes of red lipstick while Johnny Mathis’s “Go Away Little Girl” played on repeat. Fifty tubes and a single bottle of bright crimson nail polish served as her tools. What began with the careful act of painting her nails quickly unraveled into something raw and consuming—each gesture escalating until her skin, hair, and even teeth were coated in layers of red. The installation that remains holds the residue of that transformation: an archive of beauty, repetition, and erasure.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5865703ee4fcb50405ee96bc/60453a8b8ffbed5810fca5ae/60453aa0c81e850732fbdf36/1615149732083/</image:loc>
      <image:title>Go Away Little Girl (2015)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1615149786397-TQ617GVV4SESQCOHDZFO/galg1+2.jpg</image:loc>
      <image:title>Go Away Little Girl (2015)</image:title>
      <image:caption>In this one-hour performance, the artist covered herself in tubes of red lipstick while Johnny Mathis’s “Go Away Little Girl” played on repeat. Fifty tubes and a single bottle of bright crimson nail polish served as her tools. What began with the careful act of painting her nails quickly unraveled into something raw and consuming—each gesture escalating until her skin, hair, and even teeth were coated in layers of red. The installation that remains holds the residue of that transformation: an archive of beauty, repetition, and erasure.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1615149841041-Z5GP72MCZLWGGF1DR3EN/galgafter1+2.jpg</image:loc>
      <image:title>Go Away Little Girl (2015)</image:title>
      <image:caption>The installation, post-performance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1615217310415-1MPY24JM1OME6TR26FJ4/galg10+2.jpg</image:loc>
      <image:title>Go Away Little Girl (2015)</image:title>
    </image:image>
    <image:image>
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      <image:title>Go Away Little Girl (2015)</image:title>
    </image:image>
    <image:image>
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      <image:title>Go Away Little Girl (2015)</image:title>
    </image:image>
    <image:image>
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      <image:title>Go Away Little Girl (2015)</image:title>
    </image:image>
    <image:image>
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      <image:title>Go Away Little Girl (2015)</image:title>
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      <image:title>Go Away Little Girl (2015)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1615217308115-34ORX8WKLI5HHY8X7FVY/galg039.jpg</image:loc>
      <image:title>Go Away Little Girl (2015)</image:title>
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      <image:title>Go Away Little Girl (2015)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1615150017340-OIPQPZNQ00UF5W9XI6H1/galg46.jpg</image:loc>
      <image:title>Go Away Little Girl (2015)</image:title>
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    <loc>https://ameliavolwilerstanley.com/the-glass-between-us</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2026-03-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1760583523456-N9FSQ58ULDUO74TIFG6I/Amelia+Portraits+9.18.25-15.jpg</image:loc>
      <image:title>The Glass Between Us</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1760581892672-3B70OXN8ZDJOAVDVNNKM/Amelia+Portraits+9.18.25-29.jpg</image:loc>
      <image:title>The Glass Between Us - Snakeskin Exoskeleton Gown No. 1</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1759419624289-VHV1WJG9JAIZ25RIVXH7/VolwilerStanley_Amelia_3detail2+%281%29.jpg</image:loc>
      <image:title>The Glass Between Us</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1760581882978-VYR2AFP20J90BRQMW9BK/Amelia+Portraits+9.18.25-40.jpg</image:loc>
      <image:title>The Glass Between Us - About "The Glass Between Us"</image:title>
      <image:caption>The Glass Between Us: Pandemic-Era Plexiglass Reimagined as Couture Exploring Isolation, Connection, and Memory The Glass Between Us is a series of twenty sculptural couture garments made from reclaimed pandemic-era plexiglass, designed and fabricated by artist Amelia Volwiler-Stanley at Kalamazoo Makerspace. Each piece transforms a material once used to divide communal spaces and protect public health into something luminous, bodily, and expressive. Using laser-cutting CNC technology, large plexiglass panels are digitally designed and precisely cut into hundreds of smaller components—rings, links, petals, and lattice segments—that can be reassembled into flexible textile-like structures. These pieces are later joined by hand with metal hardware and vintage jewelry elements, allowing rigid plastic to move, drape, and conform to the human form. The work fuses digital fabrication (laser-cutting) and hand assembly to reshape a rigid material into flexible forms that conform to the body. The series includes gowns made of chainmail with flower-shaped links, corsets and epaulettes recalling protective armor, and lattice-like structures that drape like scaffolds. Some garments evoke the delicacy of jewelry or netting, while others feel architectural, creating an interplay between fragility with strength. Each form tests the limits of the material’s flexibility while transforming rigidity into movement. Scratched and scuffed from its past life, the plexiglass serves as both the structural core and the narrative vehicle of the work. Laser-etched imagery such as butterfly eyespots (a form of natural camouflage) references self-protection, transformation, and concealment. Layered holographic and mirrored acrylics create shifting optical effects that mirror the mutability of memory and identity. Though the project resists simple pandemic literalism, it remains informed by that era’s social and political conditions: public health isolation, the politicization of protection, and the psychological costs of separation. Once serving as safety barriers, the plexiglass now stands for the invisible walls that divide people across ideological lines. Like the “Iron Curtain” of the Cold War, these transparent divides signify psychological disconnection more than physical obstruction. By fragmenting those literal and symbolic barriers and linking them into wearable forms, The Glass Between Us alchemizes “waste” as ornament and armor, isolation into connection, and fragility into resilience. Although plexiglass aerosol guards often ended up in dumpsters after the pandemic, in this project the material is not treated as debris from a past crisis but as an artifact of its time. It’s a future relic that carries the emotional history of that period. The use of reclaimed materials is both practical and conceptual, and expands beyond the plexiglass. Antique hardware, vintage costume jewelry, and old clothing act as parallel relics of other eras, though their histories diverge: one prevented bodily contact, the others adorned it. These elements bridge the industrial and the intimate, helping the plexiglass shift from a symbol of separation into a language of ornament and armor. Woven together, they create a sense of temporal ambiguity, allowing the work to exist between past and future. This interlacing of time and material integrates the memory of a collective tragedy into the broader fabric of human experience, transforming what might be forgotten into something enduring.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/1773422146793-9Q0FFK5R388Y7VIO5KOD/VolwilerStanley_Amelia_9.jpg</image:loc>
      <image:title>The Glass Between Us</image:title>
    </image:image>
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  <url>
    <loc>https://ameliavolwilerstanley.com/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-10</lastmod>
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      <image:title>About</image:title>
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  <url>
    <loc>https://ameliavolwilerstanley.com/pagecv</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/0911f98f-36f5-4747-91b3-1a2a10338324/2025_AMELIA+VOLWILER-STANLEY_CV+%282%29-1.jpg</image:loc>
      <image:title>CV - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/2268d5fa-ba60-4c77-ba97-68343db36342/2025_AMELIA+VOLWILER-STANLEY_CV+%282%29-2.jpg</image:loc>
      <image:title>CV - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5865703ee4fcb50405ee96bc/3f9bb38d-bcb2-4f6d-8a0d-2b44b8a8a977/2025_AMELIA+VOLWILER-STANLEY_CV+%282%29-3.jpg</image:loc>
      <image:title>CV - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://ameliavolwilerstanley.com/new-products-1</loc>
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    <lastmod>2026-03-18</lastmod>
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